The Companion Page to Theme Park Adventure - the Internet's Original Fan Site
Showing posts with label TPA Editorial. Show all posts
Showing posts with label TPA Editorial. Show all posts

Saturday, August 14, 2010

New Six Flags CEO - Don't Shoot! Yet...

With the announcement yesterday of James Reid-Anderson being named CEO of Six Flags Entertainment Corporation, there is a lot of buzz online amongst fans. And a lot of it is really negative so far, considering James (we can call him by his first name, since that is how theme park companies tend to operate, yes?) has zero theme park/themed entertainment background under his belt.

While I can certainly understand the thought process and absolutely get where the negative sentiment is coming from, I kind of feel bad for the guy; as fans, we should not be instantly condemning this gentleman, or setting him up for failure by booing him into office simply because he has never dispatched a coaster or swept up a hot dog wrapper in his life.

I'm going to play Devil's advocate here. And I am going to give James the benefit of the doubt for now. Just because someone worked at a theme park or knows how to operate a Sno Cone machine, does not qualify him to be better equipped to pull a massive company out of the toilet business-wise. For those of you who have theme park experience like myself: think back to most of your co-workers and how they were on a daily basis. Would you want them running your finances or making decisions that would affect your future? God knows, my finances are a disaster and I have a very pristine reputation for making very poor decisions in my own life, regarding Theme Park Adventure and beyond. Yet, I knew The Haunted Mansion and Pirates of the Caribbean like the back of my hand. I worked the Davy Crockett Explorer Canoes for 11 weeks straight one summer (and hated every second of it), I worked Bear Band, did occasional Main Street Electrical Parade guest control (back in the day before it was acceptable to yell and be shockingly bullish with guests) and was on the opening Splash Mountain guest control team. When I later worked for MGM-Mirage, I took tons of management courses and received all sorts of accolades.

Yet, I suck immaculate when it comes to my own business decisions or finances. I am not good at being shrewd or aggressive when it comes to the business end of TPA usually. In short, I wouldn't want me as a CEO, regardless of my past experience with theme parks and like companies.

Not every ice cream scooper will grow up to be a Tony Baxter. Nor would a Tony Baxter necessarily be the right person to run The Walt Disney Company (sorry Tony - love you!). CEOs are interesting creatures. They are generally workaholics and they sleep with one eye open, always buzzing about the next project, the next deal and how to constantly make advances financially and business-wise for the companies they run.

Steven Spielberg is arguably one of the most beloved and respected filmmakers of all time. Yet, would he necessarily be the best guy (or gal) to run Six Flags? Just because he's been involved in films and theme park attractions doesn't mean he is a genius behind a desk. Behind a camera, yes. Behind a desk... who knows?

Now, absolutely, some great CEOs come up through the ranks. The greatest CEO I have ever worked for hands-down is Ms. Renee West, who was the CEO of Excalibur when I worked and lived in Las Vegas. Her business ethic and true love of what she did on a daily basis was contagious - and it spread through the company's 4,000+ employees like wildfire. Under Renee's direction, Excalibur never was stronger and so many amazing changes took place, it is undeniable (new pool area, new carpeting for the first time ever throughout the resort, the remodel of 2,000+ rooms, Dick's Last Resort integration, employee enrichment programs and more). What's even more undeniable is the huge sucking sound left in her wake, because she was promoted last year to be at the helm of Mandalay Bay due to the way she performed at Excalibur for several years. And before all of that, Renee worked in management at State Line - the Primm resorts. Who would have thought that a State Line employee - a female at that - would rise to become one of Las Vegas' most powerful and well-liked CEOs? It's remarkable and just doesn't happen.

On the flip side of that, I argue the case of one Terry E. Van Gorder, the once-upon-a-time head honcho of Knott's Berry Farm. The guy went from theme park to theme park, making both good and bad decisions, but almost everyone felt that in the end, he was a mess on wheels. He was the guy that removed Bear-y Tales for Kingdom of the Dinosaurs - which was a short-term very successful move for Knott's, but in the end, left the park without its own characters and the world without one of its greatest and most beloved dark rides ever. He was hell to deal with regarding Halloween Haunt and never allowed (except on very rare occasion) the hard-working individuals behind the event to ever be given any credit. He told Theme Park Adventure once very directly that if we ever named Haunt monsters in our articles that they would immediately be "severely reprimanded and/or terminated from Knott's Berry Farm". I met him personally once; he was pigging out on a chicken leg with grease and gristle in his beard, not stopping his devouring while talking to me. I came away from the conversation with his rambling burned into my memory - "They don't let me speak to the media much; I'm just the idiot that runs the place. I usually don't have anything intelligent to say."

Imagine if I'd written a piece for the LA Times using that quote? That was the guy running Knott's Berry Farm in the '80s and beyond, folks.

Fast-forward to Michael Eisner and Paul Pressler. Need I go into detail about that dynamic duo? Eisner's legacy is one of genius beginning and utterly disastrous finale at Disney. Paul Pressler was a great businessman when it came to successfully growing The Disney Store - but when put in charge of theme parks, etc... we ended up with California Adventure 1.0.

To fan the flames of argument further, let us remember with great gusto Frank Wells. The guy had no theme park background; he ran a record company very successfully. Yet, Wells is remembered and respected for really being the visionary at the helm of Disney in the early '80s, bringing the company back from certain doom as part of the Eisner/Wells/Katzenberg team. Frank understood the value of "E"-Ticket attractions such as Indiana Jones and Tower of Terror. He wasn't afraid to make huge investments in the parks and their attractions. When he was killed, much more died that Frank Wells that horrible day. The company floundered and suffered for the most part for years after under Eisner finally was forced out by Roy Disney and a myriad of fans and investors who'd had enough of the Eisner regime.

Switch tracks.

Ross Perot - not a politician, but a hugely successful CEO and businessman. The guy ran to be President of the United States. Twice. And you know what? People voted for him. I did the first time around. My thinking - career politicians absolutely suck. They lie through their teeth, they are part of the ongoing wasteful, bullying and downright deceitful machine that rules this country. I'm not a hippie, nor do I subscribe to every conspiracy theory put before me. But I am intelligent enough to see the big picture - that the government we have now is full of cover-up, suppression of the poor, the black, the brown, the gay and the free-thinking that this country was founded on. This government lets big business thrive, its own people starve in the streets, entire cities and groups of people to be flooded out and destroyed, bankrupt banks to kick good Americans out of their homes as they too struggle in this economy, oil to flow into our oceans, and so on. The rant and list is much longer than this - but the editorial isn't about Black Ops or big business conspiracy. It's about CEO-types. Ross Perot wasn't a career politician, yet people liked him and voted for him. They/we saw that politicians don't necessarily make the best Presidential candidates. Perot was a very successful CEO/businessman, and perhaps his momentum came from people believing that perhaps a smart and successful businessman could and would do better running this country than a life-long politician, risen through the ranks with backroom agreements and special interests putting them at 1600 Pennsylvania Avenue. We'll never know, because of course, this government would never let that happen.

And that's the theme and idea I present to you all in this matter of James Reid-Anderson and Six Flags. No, he's never served a churro or stamped someone's hand for re-entry. But he does have a proven and successful track record at Dade Behring, and Siemens Healthcare and beyond. Perhaps he does have what it takes to bring Six Flags back from the grave. I say, don't shoot before you see what he can do. Let's not set this guy up for immediate failure without giving him a chance. Bring him on podcasts such as The Season Pass. Give him exposure - positive exposure in major newspapers and trade magazines. Instead of instantly branding him the poster child for "Clueless, Inexperienced CEOs", let's give the guy the benefit of the doubt and see what he's made of.


And it's not like everyone else in the Six Flags company suddenly becomes mute or their say/ideas/knowledge/history vanish. If James is a great leader, he will recognize his team and truly listen to them, accept their input and lead this company back to where it needs to be. I think it's possible. And I think we should all slow down a bit, hit the trim brakes on casting judgment and watch what this new CEO does over the first few months. Hell, I'd say over the first six months, at least. It took Six Flags a long time to sink to where its at now - it's not going to be an overnight fix. And I expect there to be missteps along the way - no one is perfect. But if he tries new things, even if some of them are not great or downright suck - the important thing is to remember that at least a new leader is trying new tactics.


Now, if all decisions are horrid, if the park prices skyrocket and we're made to pay $1 not just for every locker but each time we go potty or take a picture with a character, if the souvenir stands get traded out for timeshare vultures and the parks see no expansion or additions... I'll be the first one to shoot. And without a doubt, the line to take a shot will be very lengthy behind me.


To James Reid-Anderson, I say good luck and sincerely wish him the best of success. I grew up with Magic Mountain and love the place. I'd love to see the company thrive, its employees benefit and for them to become the company they should have been all along. There are rough waters ahead, but things should get easier if this has been the right decision.


Only time will tell. And the clock is ticking now, James.


- Rick West

Tuesday, August 10, 2010

"How can I become part of the TPA team?"

It's a question we get asked frequently - "How does someone go about becoming part of Theme Park Adventure?"

It's very flattering that fans of what we do like what we do enough to want to take it one step further and actually become part of the team; really - I cannot think of a higher compliment. Also, it is gratifying in that it tells me that we are moving in the right direction and that we have the attention of people that are really into what we do and what's going on in the industry.

Before I go further, I should preface the rest of this article with some honest facts about TPA.

Since it's inception in 1994, TPA has cost much more to maintain and continue doing than it ever has brought money in as a company. Our biggest windfall came in the '90s, when we published our 170-page book on Pirates of the Caribbean. Financially, it's all been downhill from that point for us. Without getting into specifics, the cost of running the site, covering events, etc. far outweighs the cash that flows into our TPA coffers. That's the way it's always been, and for the foreseeable future, that's the way it's going to be. So, if you're looking to work with TPA and come away with a payday, I can assure you - that ain't us. I always joke with the rest of the team that the day I can quit my day job and actually live off of TPA, I will gladly hand out checks to the rest of the team.

In other words, don't hold your breath! I'm certainly not!

Everyone that works with TPA (myself included) does so because we absolutely love the theme park, thrill park, amusement and themed entertainment industry. Period. The end. That's all. The joy we get out of sharing our experiences with the rest of the world via TPA is our reward for doing what we do. The hours are unreal and long - for me and my co-owner, Johanna, TPA is a 24/7 job on top of our "real life" away from the computer. If we didn't love what we do - there is no way TPA would still exist after almost 16 years.

So, if no pay (we can and will give credit to those assisting with articles, etc.) is still appealing to you, read on:

If you live in the Southern California area, I have bad news for you; so do we. So do we, and so do seven out of the 8 listed staffers on our About Us page on TPA. That means, quite frankly... we have SoCal covered.

Now, if you live elsewhere - anywhere else - the possibility is there for us to work something out. For a non-paying gig, we do however, have some fairly high standards that you'll need to meet in order to get my attention.

You need to be an adult. Even though 13-year-olds are much more mature and sophisticated as I was when that age. Seriously! Today, kids barely with any body hair are running websites much more sophisticated than TPA's. Hell, when I was 13, my biggest concern was mastering Yars' Revenge on my Atari 2600!

But I digress. You need to be at least 18 years of age with your own, reliable transportation. We can't have you set to go to a press event and suddenly text me with, "Dude, I can't make it - my mom has sewing circle tonight and is the designated driver." No good. Gotta have a car, gotta know how to drive said car, and you need to be at least an adult in the eyes of the law to attend events, etc. while representing Theme Park Adventure. If you're in that horrible limbo between 18 and 21... we can get you access, but you'll need to refrain from the jolly juice. No getting fake ID-busted while representing TPA at a special event. Nooooooo. Not good.

Next, you need to have a digital camera. And in the same breath, you need to really know how to use said camera. Sure - anyone can take a picture with a digital camera... but we need you to be a master of your camera. Know it. Love it. Be one with it. If you have your own digital camera (doesn't have to be an SLR - but that would be nice) and you know how to work that moneymaker, then that's another step closer to working with TPA.

Here's the biggest sticking point... You must - absolutely must - know how to write. I don't mean your name.

& i dont mean u only no how 2 write like u text.

You must be able to write a coherent, passionate story that doesn't take me 13 hours per page to edit on this end. As horribly stuck-up and crappy as that may sound, it's critical. Over the years, I have learned one thing - if someone says they can write... there is a 30% chance they actually can. Structure, grammar and punctuation aside, writing comes from the heart - not from a text book. If you cannot connect with other fans and readers through your writing, the quality of your pictures or the content behind your article means absolutely doo-doo. To connect, to pull emotion from your readers - that is the quality we seek. Only then, do the pictures and everything else fall into place.

So let's recap:

  • No pay.
  • Must be 18 years of age with your own transportation.
  • Must own your own digital camera and know how to use the thing (SLRs preferred).
  • Must be able to write an article or story that is compelling, passionate and legible.
The absolutely most critical step of them all... we've gotta like you. In the past, I have worked with people that are challenging, to say the least (I'm excluded from this, as it's my company - if I had to work with myself... yeah.. that would be a problem most days). We have to rely on you to be professional, not be flaky and understand that while "on assignment", you represent not just the rest of the Theme Park Adventure team... but all of our readers/fans. That is absolutely critical. God knows, there have been times that I have dropped the ball and have royally screwed up (a la Steve Wynn destroying his own Picasso); but that's me, and I have hopefully, learned from my errors along the way. What I need to know is that I'm not going to get an email from a really pissed public relations manager at a theme park somewhere in the Mid-West telling me that my representative was drunk, loud and running around half-naked screaming something about Leroy Jenkins during their press event.

Can't have that.

Not even a little bit.

SO... if my rambling hasn't scared you off and you really think you have what it takes to join the TPA team, you are more than free to contact me at any time. Tell me something about yourself, what parks you frequent, etc. and we'll go from there. I don't promise or guarantee anything but dialogue with those inquiring. However, if you have the passion and the means, perhaps we can bring you onto the team.

In the interim, what I can and will honestly say is this: the best way for most of you to become part of TPA is to simply show your support for what we do. Post on our Message Board. Attend our gatherings. Tell your friends about us. Hell, buy a t-shirt or a button or bumper sticker. Anything to get the word out there about Theme Park Adventure. That is honestly, the best thing you can possibly do to become part of the group. Participate, participate, participate. That is what we want from you guys!

To contact me about possibly joining the Theme Park Adventure team, simply click here and ramble away like I have so aptly demonstrated my ability to do in this posting.

Thank you for your interest - it really is awesome and much, much appreciated!

- Rick West

Saturday, May 8, 2010

Talking Mickey Mouse - Disney Magic on an Epic Scale

By Rick West

Most people taking the time to read this editorial have grown up with one of the original Disney theme parks as part of their lives, I would imagine. Whether your "home" park is either Disneyland in California or Walt Disney World in Florida, we've witnessed the parks evolve from the 1950s on.

With that evolution, we've watched as technology advances the experience - from the very first dark rides such as Mr. Toad's Wild Ride and Peter Pan, to more innovative systems today such as Monsters, Inc. or soon, The Little Mermaid.

We've also watched as large-scale attractions became known as "E"-Ticket experiences, from Pirates of the Caribbean and The Haunted Mansion to Indiana Jones and The Twilight Zone Tower of Terror.

Even the parades and shows at the parks have done their own evolution - from simple parades down Main Street USA or the two-dimensional Main Street Electrical Parade units of the '70s to the dynamic wonders of Fantasmic!, the newer versions of the Electrical Parade and this summer, World of Color at Disney's California Adventure.

As fans, we've grown up with Disney and its parks; it's been a collective maturing on all fronts - the way the parks and rides are built; the way fans became superfans with the advent of the Internet; the way once-a-year vistitors have become three-times-a-week Passholders. The boost the Internet has given theme park fans has taken us from clueless enthusiasts to very savvy fans that often know more than theme park employees themselves about what's happening within their own company - sometimes, right below their own noses. It's not a swipe at them at all; it is a testament to how powerful the Internet and modern communication is in informing the masses and how quickly news can be relayed around the planet just by retweeting a link from your cell phone or posting an image or video online.

Recently, something truly epic in importance and the industry took place that literally stopped me in my tracks and has moved me so that I've been buzzing about it ever since. Something happened at Disneyland that was captured on video and posted to YouTube that has changed the Disney theme park experience forever.

It's something that needs to be seen to be understood:



Now, watch it again.

Maybe a few more times.

I'd venture to guess, if you haven't yet seen this for yourself online, you're sitting there with your mouth open and a fairly dazed/surprised look on your face. And if you weren't sitting down to begin with, I'd wager you are now.

Watch it again; this time, study the people in the room with Mickey experiencing this - because it's critical.

Through a highly-classified effort by the Research & Development branch of Walt Disney Imagineering, this technology has been a held patent of Disney's since July 5th, 1994. This is nothing new - yet, it's been so quiet and so under-the-radar that virtually no one saw it coming until it went viral online this past week. Even as late as last night (May 7, 2010), high-level Disney executives were going online to see this character costume technology for themselves. No one knew this was about to land - and yet, it did. It exploded in our midst in Mickey's Toontown at Disneyland.

And now, the whole game has changed.

This is beyond huge. This is, in my opinion, the single most jarring and paramount advancement we've seen at a Disney theme park since the introduction of Audio-Animatronics in 1961. I believe this is bigger and more important than any ride system, large-scale attraction or show we've witnessed come online.

Watch the video again, and this time, focus completely on the young children. Total suspension of disbelief has taken place and for the first time ever - ever, folks - children and people of all ages are directly communicating with and having a real conversation with Mickey Mouse. This hasn't happened in 55 years. Anywhere. Ever. Yet, watch those kids; it's normal to them and they engage Mickey without hesitation. I'd say, they engage Mickey with even less intimidation than they would a silent five foot-tall character waving at them to come closer.

We have just witnessed the entire scope of theme park experience change forever. And even so, those small children have no idea that until now, Mickey has never spoken a word to any Disneyland visitor. Now, listen to the woman at the end of the video; she is obviously thrilled that the children are talking to Mickey - but there is definitely something more going on. She is trying to wrap her head around what's happening and what she's witnessing herself; you can hear it in her voice as the video ends. It's total amazement. Absolutely.

Why people aren't going as crazy about this yet as I thought they would - I have no idea. Perhaps just not enough people know about it; perhaps the heft of this advancement hasn't yet clicked or sunk in. But I firmly believe that we have just witnessed a jarring, incredible evolution take place.

This is Disney's next step into the future that changes everything for everyone. Manual to automatic auto transmission; black and white to color television; cassette tape to CD; video to DVD; film to digital projection.

Mickey Mouse speaks now. Soon, it will be common to see Mickey and the other Disney characters walking down Main Street saying hello to guests and also, communicating amongst themselves. This technology doesn't just stop at Mickey. Goofy's laugh will be heard punctuating a corny joke, Donald will perhaps laugh in his raspy voice, Minnie will tell Mickey he's her sweetheart.

Welcome to the next level, folks. This is history that's just taken place. Some may read this and look at my enthusiasm as being way too much. I respectfully disagree. The line between fantasy and reality has been blurred. The day absolutely exists now that kids of all ages will not remember "back when characters didn't talk". Technology has caught up with that 1994 patent and Walt Disney Imagineers have made it so.

In the days, weeks and months to come, likely a landslide of video and information will emerge regarding this breakthrough. Disney has released their own video (the one first embedded in this article) and one of the main forces behind this next generation initiative, Scott Trowbridge, has said that there are many more tricks up their sleeves that we will witness in the future. And I believe him.

This has to be the beginning of the touted $1.5 billion technology push that Disney's been promising would take theme park experiences to the next level. It has to be. This is the tip of the iceberg, folks.

Personally, I cannot wait to witness this in person - although I imagine being lucky enough to be in the right place whenever talking Mickey makes an appearance will be a feat unto itself. But, we'll see.

As of the writing of this article, only two more videos that I have been able to find are online. Here they are:





And this is just the beginning, folks.